Christopher Burney is the Tony nominated Artistic Director of New York Stage and Film. Previously, he worked with Second Stage for over 20 seasons. Among the many notable productions at Second Stage, selected productions he has shepherded include Dear Evan Hansen (book by Steven Levenson, music and lyrics by Benj Pasek and Justin Paul); Bachelorette (Leslye Headland, playwright); Murder for Two (book and music by Joe Kinosian, book and lyrics by Kellen Blair); Animals Out of Paper (Rajiv Joseph, playwright); Lonely, I’m Not (Paul Weitz, playwright); the Pulitzer Prize-winning Next to Normal (music by Tom Kitt, book and lyrics by Brian Yorkey); Warrior Class (by Kenneth Lin); King Liz (by Fernanda Coppel); and Mala Hierba (Tanya Saracho, playwright). While at Second Stage he has worked with such writers as Anna Deavere Smith, Douglas Carter Beane, Gina Gionfriddo, Craig Lucas, Lanford Wilson, Theresa Rebeck, William Finn, Sam Shepard, David Ives, Kenneth Lonergan, Cheryl West, Martin Sherman, Jason Miller, Wendy Kesselman, August Wilson, Michael John LaChiusa, and Stephen Sondheim. He has worked with many leading directors such as Thomas Kail, Trip Cullman, Carolyn Cantor, Kenny Leon, Peter DuBois, Leigh Silverman, Mark Brokaw, Scott Ellis, Michael Greif, Garry Hynes, James Lapine, and Kathleen Marshall. As curator for 2ST Uptown, he has developed numerous emerging writers and directors including Rajiv Joseph, Bess Wohl, Erica Lipez, Marisa Wegrzyn, Roberto Aguirre-Sacasa, Brooke Berman, Adam Bock, Carly Mensch, Michael Golamco, Trip Cullman, and Joe Calarco, among others. He has consulted for various organizations including the Philadelphia Theatre Initiative, the Kesselring Prize, the Kurt Weill Foundation, the Andrew W. Mellon Foundation, the New York Foundation for the Arts, the Asian American Arts Alliance, and the Jerome Fellowship. Previously, he worked at Lincoln Center Theater as the Assistant to the Director of Musical Theatre. He teaches creative producing and New York theatre history at Columbia University in the Graduate School of the Arts. He has lectured at Barnard College, the Einhorn School for the Performing Arts at Primary Stages, the Juilliard School, Bard College, the Boston School of Music, Marymount Manhattan College, and the New England Theatre Conference. He is on the artistic advisory board of the Detroit Public Theatre, the first professional theatre in a reborn Detroit. He is a graduate of Brandeis University, B.A., and Columbia University, M.F.A.